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  • Park Chan-wook’s Vengeance

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    Leaving May 1

    Park’s “Revenge Trilogy”—a high watermark of early aughts South Korean cinema, each film a stylish standalone thriller united to the rest by the theme of retribution—is represented here with leadoff film Mr. Vengeance, the ruthless, bruising tale of a factory worker forced to find ...

  • Three from Jean-Luc Godard

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    Leaving May 1

    It might seem like a contradiction to say that one of the most influential artists of the last 60+ years was also one of the most inimitable, but Godard, whose death in 2022 marked the end of a cinematic era, was nothing if not a figure steeped in contradiction. This selection of t...

  • Directed by Mary Stephen

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    Leaving May 1

    By the age of 25, the peripatetic Mary Stephen had already circled the globe: born in British Hong Kong, immersed in cinephilia during her studies at Montreal’s Concordia University (then Loyola), Stephen went on to establish herself in the film industry upon relocating to Paris, w...

  • A Very Easy Death

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    Directed by Mary Stephen | 8 mins | 1975
    Mary Stephen’s metaphor-rich, deeply compassionate contemplation of her mother’s death and its aftermath, which takes its title from the 1964 book by Simone de Beauvoir.

  • Air Doll

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    Directed by Kore-eda Hirokazu | 116 mins | 2009
    A Tokyo waiter’s sex doll (Korean star Bae Doona) comes to life in this bittersweet modern fairy tale from the director of "Shoplifters" and "Nobody Knows." Her wide-eyed wanderings bring out the loneliness of the metropolis—shot by H...

  • Center Stage

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    Directed by Stanley Kwan | 154 mins | 1991
    One of the brightest stars of the Golden Age of Hong Kong cinema pays tribute to a predecessor from pre-revolutionary Chinese cinema, as Maggie Cheung passionately embodies Ruan Lingyu (1910-1935), the silent screen icon who committed suic...

  • Goodbye to Language

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    Directed by Jean-Luc Godard | 70 mins | 2014
    An innovator to the end, Godard’s penultimate feature finds him experimenting with the possibilities of digital 3D, using the technology to plot the disintegration of both a couple’s relationship and the images of the relationship. A fil...

  • It Felt Like Love

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    Directed by Eliza Hittman | 82 mins | 2013
    There’s not a single false moment in It Felt Like Love, Never Rarely Sometimes Always director Hittman’s feature debut about a sexually inexperienced south Brooklyn teenager (Gina Piersanti) who’s embarrassed to fess up to everything she d...

  • La Chinoise

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    Directed by Jean-Luc Godard | 96 mins | 1967
    Jean-Pierre Léaud, Juliet Berto, and Anne Wiazemsky co-star in Godard’s rouge-tinted, slogan-splattered political comedy concerning five innocents passing their summer vacation in a shared apartment by discoursing on Mao, performing agit...

  • Labyrinthe

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    Directed by Mary Stephen | 5 mins | 1973
    Two identically dressed women, one white, one Asian, negotiate winding, maze-like corridors. This experimental, oneiric work dating from Stephen’s time in Canada plays as a cinematic meditation on cross-cultural identity, an exploration of t...

  • Lady Vengeance

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    Directed by Park Chan Wook | 115 mins | 2005
    The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless motion ...

  • Mädchen in Uniform

    Leaving May 1

    Directed by Géza von Radványi | 91 mins | 1958
    Leaving aside the portrayals of royals that had been her breakthrough, Romy Schneider ventured into more risqué territory with this story of Sapphic desire bubbling up in a Potsdam boarding school—the second silver screen adaptation of...

  • Mayor

    Leaving May 1

    Directed by David Osit | 89 mins | 2020
    Winner of a 2022 Peabody Award, this gripping and surprisingly droll portrait of Musa Hadid during his second term as the mayor of Ramallah, the de facto Palestinian capital, is equally a portal into the Israel-Palestine conflict just prior t...

  • Sympathy for Mr. Vengeance

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    Directed by Park Chan Wook | 116 mins | 2002
    Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic ...

  • The Great Canadian Puberty Rite

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    Directed by Mary Stephen | 20 mins | 1974
    This lyrical film diary chronicles a westward “pilgrimage” Stephen made, together with her partner John Cressey, at the end of her studies in Montreal, in the summer of ’74. As she contemplates the impetus for the journey, her camera survey...

  • The Image Book

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    Directed by Jean-Luc Godard | 84 mins | 2019
    A cinematic collage, an esoteric essay film, a wide-reaching, freewheeling ontological history of the moving image, and a sorrowful survey of the fallen world at the beginning of the 21st century, Special Palme d’Or winner The Image Book...

  • The Memory of Water

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    Directed by Mary Stephen | 20 mins | 2018
    Breezy but poignant, this beautifully constructed short contemplates the hardiness of cultural roots from two vantage points: the first, belonging to a filmmaker who returns to her native Hong Kong after decades abroad in order to teach; th...

  • The Pillow Book

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    Directed by Peter Greenaway | 126 mins | 1995
    Made from animal skins, parchment has been used as a medium for language since ancient times; in Peter Greenaway’s sumptuous, Hong Kong–set fabulation, the human body is the preferred site of expression, and the act of inscription an er...

  • Vive L'Amour

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    Directed by Tsai Ming-liang | 118 mins | 1994
    Tsai’s second feature is a masterful evocation of urban loneliness and longing, quietly devastating even in its forays into something like slowed-down slapstick. A love triangle takes shape when three people—including a repressed funera...