Asian Cinema

Asian Cinema

Films from the vanguard of international cinema.

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Asian Cinema
  • Asako I & II

    Directed by Ryusuke Hamaguchi | 119 mins | 2018
    Between the international breakthrough of 2015’s "Happy Hour" and the sensation that was 2021’s "Drive My Car," Hamaguchi produced this beguiling romance, concerning a young woman and her affairs with, first, a self-dramatizing young drifter, Baku, ...

  • A Touch of Sin

    Leaving January 1

    Directed by Jia Zhangke | 130 mins | 2013
    Jia’s jarringly to-the-moment wuxia film, based on scandalous stories from around Mainland China circulated via Weibo posts, focuses on four individuals in four provinces pushed towards violence by rampant injustice—including one who re...

  • Cemetery of Splendour

    Directed by Apichatpong Weerasethakul | 122 mins | 2015
    Weaving together Thailand’s rich fundament of supernatural mythology and its often troubled national history, Apichatpong crafts a bewitching and seductive cinematic idyll, in which comatose soldiers suffering from a mysterious sleeping sick...

  • Claire's Camera

    Directed by Hong Sangsoo | 68 mins | 2017
    Isabelle Huppert re-teams with the Korean master for a light-footed comedy about a Polaroid-wielding schoolteacher visits Cannes and befriends a newly jobless woman (Kim Minhee). Their quick friendship sheds light on the meddlesome reasons for her firing,...

  • Days

    Directed by Tsai Ming-liang | 127 mins | 2020
    The parallel narratives of a middle-aged man seeking treatment for a chronic illness in Hong Kong (Lee Kang-sheng) and a Laotian immigrant in Bangkok (Anong Houngheuangsy) eventually, finally, meet in a moment of ecstatic release.

  • Funeral Parade of Roses

    Directed by Toshio Matsumoto | 105 mins | 1969
    Part of the storied output of Japan’s radical Art Theatre Guild, Matsumoto’s dazzling voyage through Tokyo’s Shinjuku neighborhood centers on two gender-nonconforming divas at “Bar Genet” but also doubles as a record of Japan’s avant-garde and subcul...

  • Goodbye, Dragon Inn

    Directed by Tsai Ming-liang | 82 mins | 2003
    Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

  • Hahaha

    Directed by Hong Sangsoo | 115 mins | 2010
    Two friends in a bar trade stories about their romantic exploits at a beach, which we come to realize involve the same people (including a restaurant owner played by Oscar-winner Youn Yuh-jung). Through adroit layering, Hong brings a wry sympathy to the ...

  • In Another Country

    Directed by Hong Sangsoo | 89 mins | 2012
    Isabelle Huppert plays three variations on the role of a Frenchwoman abroad in Korea in her first venture into Hong’s peculiar, soju-soaked world, and is the connecting link between the elements of this triptych of glancing, awkward romantic encounters wh...

  • Introduction

    Directed by Hong Sangsoo | 66 mins | 2021
    This devilishly deft portrait of missed and near-missed connections orbits a young man (Shin Seok-ho) adrift, sketching out his romantic and familial relationships in three parts (and a mere 66 minutes). Shooting his own feature for the first time, in bla...

  • Lady Vengeance

    Directed by Park Chan Wook | 115 mins | 2005
    The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless motion on her release....

  • Leonor Will Never Die

    Directed by Martika Ramirez Escobar | 100 mins | 2022
    A festival favorite, Escobar’s debut feature offers a surreal, self-reflexive tribute to Filipino action cinema. Retired screenwriter Leonor Reyes (Sheila Francisco) lays comatose in a hospital after a collision between her skull and a televis...

  • Made in Hong Kong

    Directed by Fruit Chan | 109 mins | 1997
    The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

  • Millennium Mambo

    Directed by Hou Hsiao-hsien | 107 mins | 2001
    A seductive submersion into the techno-scored neon nightlife of Taipei, Hou’s much-misunderstood marvel follows an aimless bar hostess drifting away from her blowhard boyfriend and towards a suave, sensitive gangster. A transfixing trance-out of a mov...

  • Mountains May Depart

    Leaving January 1

    Directed by Jia Zhangke | 126 mins | 2015
    A simple love triangle between three young people living in Fenyang—Jia’s much-revisited and filmed hometown—lays the foundations for an epoch-spanning triptych, describing the past, present, and future of three characters (including le...

  • Night and Day

    Directed by Hong Sangsoo | 145 mins | 2008
    Fortysomething Korean painter Sungnam (Kim Yeong-ho) seeks refuge in Paris and takes up with a series of fellow expats, despite a wife back home. In this classic from the 2010s, Hong casts an amused and amusing eye on the clueless Sungnam, expertly daisy...

  • Once a Moth

    Directed by Lupita Aquino-Kashiwahara | 110 mins | 1976
    Groundbreaking in its critical depiction of the American military presence in the Philippines, Aquino-Kashiwahara’s incendiary political drama tells the story of a young lower middle-class couple (Aunor and Jay Ilagan) and their immediate fa...

  • P. P. Rider

    Directed by Shinji Sômai | 118 mins | 1983
    Adapted from a story by Leonard Schrader—yes, Paul’s brother—"P.P. Rider" is a cheeky, playful, and consistently surprising adventure yarn about three young friends who, having witnessed the kidnapping of their school bully, set out on a journey across J...

  • Spacked Out

    Directed by Lawrence Lau | 94 mins | 2000
    Set in the massive, crumbling urban developments in Hong Kong’s New Territories with a combination of trained actors and nonprofessionals, Spacked Out depicts a few tumultuous days in the lives of four schoolgirls, filled with desultory mall outings, clas...

  • Stray Dogs

    Directed by Tsai Ming-liang | 135 mins | 2013
    Tsai’s devastating minimalist portrait of urban desolation, destitution and defeat is a gorgeous cinematic lament starring Lee Kang-sheng as a single father of two who ekes out a subsistence living by working as a human signboard while his hungry chil...

  • Sympathy for Mr. Vengeance

    Directed by Park Chan Wook | 116 mins | 2002
    Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic how an ordinary...

  • The Hole

    Directed by Tsai Ming-liang | 89 mins | 1999
    It’s the close of the millennium and Taipei has emptied out with the onset of a mysterious virus, but Lee Kang-sheng and Yang Kuei-mei lag behind among the ruins, where maybe a last chance at communication lies through a breach between their apartments...

  • The Woman Who Ran

    Directed by Hong Sangsoo | 77 mins | 2020
    Hong mines wisdom and wit out of a deftly presented and deceptively simple scenario: a young woman’s visits to three of her friends while her husband’s away. In insightful, unpredictable conversations with people at different points in their lives, Gamhee...

  • Typhoon Club

    Leaving February 9

    Directed by Shinji Sômai | 115 mins | 1985
    Emotionally raw, enormously tender and, finally, tentatively hopeful, Sômai’s breakthrough film—winner of the Grand Prix at the first Tokyo International Film Festival—observes a group of provincial junior high students who find them...