Asian Cinema

Asian Cinema

Films from the vanguard of international cinema.

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Asian Cinema
  • All About Lily Chou-Chou

    Directed by Shunji Iwai | 146 mins | 2001
    Incredibly prescient in its understanding of how a still-young internet would fundamentally alter youth culture, Shunji’s film introduces Yuichi (Hayato Ichihara) in an ice field, the landscape gradually obscured by accreting chat room messages. Alienated...

  • Asako I & II

    Directed by Ryusuke Hamaguchi | 119 mins | 2018
    Between the international breakthrough of 2015’s "Happy Hour" and the sensation that was 2021’s "Drive My Car," Hamaguchi produced this beguiling romance, concerning a young woman and her affairs with, first, a self-dramatizing young drifter, Baku, ...

  • Big Fish & Begonia

    Directed by Xuan Liang and Chun Zhang | 105 mins | 2016
    “Spirited Away” meets “The Little Mermaid” in this gorgeously crafted fantasy blockbuster—a tale of shapeshifting, interspecies love and sacrifice sprung from ancient Chinese fables. The teenaged Chun—one of a mythical race of beings residin...

  • Cemetery of Splendour

    Directed by Apichatpong Weerasethakul | 122 mins | 2015
    Weaving together Thailand’s rich fundament of supernatural mythology and its often troubled national history, Apichatpong crafts a bewitching and seductive cinematic idyll, in which comatose soldiers suffering from a mysterious sleeping sick...

  • Days

    Directed by Tsai Ming-liang | 127 mins | 2020
    The parallel narratives of a middle-aged man seeking treatment for a chronic illness in Hong Kong (Lee Kang-sheng) and a Laotian immigrant in Bangkok (Anong Houngheuangsy) eventually, finally, meet in a moment of ecstatic release.

  • Funeral Parade of Roses

    Leaving December 1

    Directed by Toshio Matsumoto | 105 mins | 1969
    Part of the storied output of Japan’s radical Art Theatre Guild, Matsumoto’s dazzling voyage through Tokyo’s Shinjuku neighborhood centers on two gender-nonconforming divas at “Bar Genet” but also doubles as a record of Japan’s av...

  • Goodbye, Dragon Inn

    Directed by Tsai Ming-liang | 82 mins | 2003
    Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

  • Made in Hong Kong

    Directed by Fruit Chan | 109 mins | 1997
    The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

  • Millennium Mambo

    Directed by Hou Hsiao-hsien | 107 mins | 2001
    A seductive submersion into the techno-scored neon nightlife of Taipei, Hou’s much-misunderstood marvel follows an aimless bar hostess drifting away from her blowhard boyfriend and towards a suave, sensitive gangster. A transfixing trance-out of a mov...

  • The Hole

    Directed by Tsai Ming-liang | 89 mins | 1999
    It’s the close of the millennium and Taipei has emptied out with the onset of a mysterious virus, but Lee Kang-sheng and Yang Kuei-mei lag behind among the ruins, where maybe a last chance at communication lies through a breach between their apartments...

  • This Woman

    Leaving December 1

    Directed by Alan Zhang | 91 mins | 2023
    Feminist activist and multihyphenate artist Zhang’s directorial debut is a raw, often revelatory docufiction experiment that follows Beibei (Li Hehe), a recently unemployed 35-year-old woman who, in the early months of the pandemic, find...

  • Agent of Happiness

    Directed by Arun Bhattarai and Dorottya Zurbó | 93 mins | 2024
    How do you measure joy? For Bhutan—a nation that conceptualized a “gross national happiness" in 1972 and has collected data on its citizens’ satisfaction for almost two decades—the answer might just be mathematical. But the truth is h...

  • A Girl Missing

    Directed by Kōji Fukada | 111 mins | 2019
    As the carer for the elderly Toko, home nurse Ichiko is practically a member of the family, favored especially by the bedridden woman’s granddaughters. But Ichiko’s life—and identity—come unspooled after the abduction of Saki, the younger of the two girls...