Asian Cinema

Asian Cinema

Films from the vanguard of international cinema.

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Asian Cinema
  • A Girl Missing

    Leaving April 1

    Directed by Kōji Fukada | 111 mins | 2019
    As the carer for the elderly Toko, home nurse Ichiko is practically a member of the family, favored especially by the bedridden woman’s granddaughters. But Ichiko’s life—and identity—come unspooled after the abduction of Saki, the younger...

  • Asako I & II

    Directed by Ryusuke Hamaguchi | 119 mins | 2018
    Between the international breakthrough of 2015’s "Happy Hour" and the sensation that was 2021’s "Drive My Car," Hamaguchi produced this beguiling romance, concerning a young woman and her affairs with, first, a self-dramatizing young drifter, Baku, ...

  • Cemetery of Splendour

    Leaving April 1

    Directed by Apichatpong Weerasethakul | 122 mins | 2015
    Weaving together Thailand’s rich fundament of supernatural mythology and its often troubled national history, Apichatpong crafts a bewitching and seductive cinematic idyll, in which comatose soldiers suffering from a mysteri...

  • Days

    Directed by Tsai Ming-liang | 127 mins | 2020
    The parallel narratives of a middle-aged man seeking treatment for a chronic illness in Hong Kong (Lee Kang-sheng) and a Laotian immigrant in Bangkok (Anong Houngheuangsy) eventually, finally, meet in a moment of ecstatic release.

  • Farewell My Concubine

    Directed by Kaige Chen | 171 mins | 1993
    Art and life become inextricably entwined in Chen’s gorgeously arrayed triumph of costume and production design: an epic spanning 50 years of 20th-century Chinese history in the life of a troupe of Peking opera actors based on the 1985 Lilian Lee novel, an...

  • Goodbye, Dragon Inn

    Directed by Tsai Ming-liang | 82 mins | 2003
    Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

  • In Our Day

    Directed by Hong Sangsoo | 83 mins | 2023
    The second of two films put out by the prolific Hong in 2023, following "In Water", "In Our Day" is a lightfooted diptych that drifts into existential territory. The tale of a recently single actress, played by Hong’s longtime “muse” Kim Min-hee, who’s st...

  • In Water

    Directed by Hong Sangsoo | 61 mins | 2023
    Do not adjust your set: the beguiling 29th film by Hong Sangsoo—who has distilled his art to the point of operating as virtually a one-man studio—was deliberately shot out of focus. This softly radical conceit mirrors the uncertainty of one of the central...

  • Lady Vengeance

    Directed by Park Chan Wook | 115 mins | 2005
    The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless motion on her release....

  • Made in Hong Kong

    Directed by Fruit Chan | 109 mins | 1997
    The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

  • Millennium Mambo

    Directed by Hou Hsiao-hsien | 107 mins | 2001
    A seductive submersion into the techno-scored neon nightlife of Taipei, Hou’s much-misunderstood marvel follows an aimless bar hostess drifting away from her blowhard boyfriend and towards a suave, sensitive gangster. A transfixing trance-out of a mov...

  • Saturday Fiction

    Directed by Lou Ye | 126 mins | 2019
    "Suzhou River" (2000) director Lou Ye sets this Hitchcockian espionage thriller in December of 1941, on the cusp of the Pearl Harbor attack. At its center, the inimitable Gong Li as a Chinese movie star who returns to Japanese-occupied Shanghai in order to app...

  • Sympathy for Mr. Vengeance

    Directed by Park Chan Wook | 116 mins | 2002
    Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic how an ordinary...

  • The Hole

    Directed by Tsai Ming-liang | 89 mins | 1999
    It’s the close of the millennium and Taipei has emptied out with the onset of a mysterious virus, but Lee Kang-sheng and Yang Kuei-mei lag behind among the ruins, where maybe a last chance at communication lies through a breach between their apartments...

  • Typhoon Club

    Directed by Shinji Sômai | 115 mins | 1985
    Emotionally raw, enormously tender and, finally, tentatively hopeful, Sômai’s breakthrough film—winner of the Grand Prix at the first Tokyo International Film Festival—observes a group of provincial junior high students who find themselves forced to take...

  • By the Time It Gets Dark

    Directed by Anocha Suwichakornpong | 106 mins | 2016
    Suwichakornpong’s second feature presents itself as a straightforward arthouse film about a young director, Ann (Visra Vichit-Vadakan), preparing a project about the 1976 massacre of student activists at Thammasat University. As its protagonist...

  • Overseas

    Directed by Anocha Suwichakornpong and Wichanon Somunjarn | 16 mins | 2012
    A little west of Bangkok lies Mahachai, home to a dense population of workers from Myanmar who eke out a meager living in the port town’s seafood processing factories. In unadorned fashion, "Overseas" presents a troubled d...

  • Black Mirror

    Directed by Anocha Suwichakornpong | 3 mins | 2008
    A haunting guitar track by Koichi Shimizu and Zai Kuning underscores this multi-textured, kaleidoscopic series of glimpses of modern-day Thailand, which was produced under the auspices of Electric Eel Films, the production house co-founded by Suw...

  • The Ambassadors

    Directed by Anocha Suwichakornpong | 9 mins | 2018
    Dotted with striking statues of prehistoric creatures, a popular tourist destination in Thailand provides the setting for a gently surreal meeting of Thai and British history, and of two of contemporary experimental cinema’s key figures: Suwichak...

  • The Line

    Directed by Anocha Suwichakornpong | 17 mins | 2020
    An artist and gallery staff prepare for the launch of a show that uses the winding vessel of the Mekong to play with concepts of spacetime and animism—much as this short does itself. It’s one of five shorts featured in the anthology film "Mekong...

  • Jai

    Directed by Anocha Suwichakornpong | 14 mins | 2007
    Anticipating the questions around the limits of representation posed in "By the Time It Gets Dark" (2016), in "Jai", documentary elements bleed into the making of a fiction film about the landmark 1975 seizure and occupation of the Hara Factory ...

  • Nightfall

    Directed by Anocha Suwichakornpong | 15 mins | 2016
    An unnamed Thai woman, both flâneur and researcher, discovers traces of her native country inscribed on Singapore’s urban landscape in this mellow essay film, conceived as a light-touch fictionalization of Suwichakornpong’s experiences during an...

  • Mundane History

    Directed by Anocha Suwichakornpong | 82 mins | 2009
    Suwichakornpong’s transfixing, Rotterdam-awarded feature debut begins as a chamber drama, with Pun (Arkaney Cherkam), a male nurse from Thailand’s rural northeast, starting a new job as the caretaker of the paraplegic son of a well-off Bangkok f...