I Was at Home, But...
Women's Work: Essential Films by Female Filmmakers
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1h 45m
Directed by Angela Schanelec | 95 mins | 2019
One of European art cinema’s most distinctive voices, Schanelec—Silver Bear winner for Best Director at this year's Berlinale—orchestrates a tense elliptical drama that’s part psychological close-up, part middle-class Berlin pastiche. Widowed mother-of-two Astrid (Maren Eggert) tries to get a handle on her family, her sorrow, and her teenage son’s absence, with Schanelec refracting her surging emotions through fragmentary vignettes. Featuring a beguiling Franz Rogowski (Passages, Undine).
Up Next in Women's Work: Essential Films by Female Filmmakers
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Ornette: Made in America
Directed by Shirley Clarke | 85 mins | 1985
“Discovering the work of filmmaker and the Film-Makers' Cooperative co-founder, Shirley Clarke made me aware of the wide range of cinema’s possibilities. This 1985 documentary shot in collaboration with the late Ornette Coleman, using a diverse array of... -
Portrait of Jason
Directed by Shirley Clarke | 107 mins | 1967
A distillation of a single 12-hour interview in a room at the Chelsea Hotel with the charismatic Jason Holliday (“real” name Aaron Payne), a gay, African American cabaret dancer, part-time hustler, and full-time raconteur, Portrait of Jason grows from ... -
The Competition
Directed by Claire Simon | 121 mins | 2016
The Competition begins, significantly, with the image of a locked gate—that of La Fémis, one of the most prestigious film schools in the world, offering hands-on training from working professionals and accepting only 40 students per year from hundreds of...
