Three by Mia Hansen-Løve
The daughter of two philosophers, Mia Hansen-Løve came to filmmaking in her mid-twenties by way of acting—notably appearing in two films by Olivier Assayas, who would become her partner—and film criticism, writing for Cahiers du Cinéma. Luminous, layered, and gently provocative, her work probes the complexities of modern life with uncommon delicacy and depth of feeling. This collection represents the bookends of the French auteur’s career, bringing together her most recent film, 2021’s "Bergman Island", with her first and third features, "All Is Forgiven" (2007) and "Goodbye First Love" (2011).
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Bergman Island
Directed by Mia Hansen-Løve | 112 mins | 2021
Vicky Krieps shines in Mia Hansen-Løve’s wry and playful portrait of a woman, mother, and frustrated artist. Starring opposite Tim Roth, the pair play married filmmakers who travel for a writing retreat to the secluded Swedish island of Fårö—a place s... -
All is Forgiven
Directed by Mia Hansen-Løve | 98 mins | 2007
Mia Hansen-Løve was only twenty-five when she directed one of the most striking and auspicious first features in 21st century French cinema, which finds the brisk economy of expression, nuanced characterization, and formal daring of her future films (F... -
Goodbye First Love
Directed by Mia Hansen-Løve | 110 mins | 2011
As in her first two features, Mia Hansen-Løve’s third reckons with the psychic fallout of a young woman abandoned by a man she loves—here, not a father but a lover. Camille, 15 (a radiant Lola Créton), is blindsided when her boyfriend, 19-year-old Sul...
