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  • Boyfriends and Girlfriends

    Directed by Éric Rohmer | 103 mins | 1987
    Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

  • Air Doll

    Leaving May 1

    Directed by Kore-eda Hirokazu | 116 mins | 2009
    A Tokyo waiter’s sex doll (Korean star Bae Doona) comes to life in this bittersweet modern fairy tale from the director of "Shoplifters" and "Nobody Knows." Her wide-eyed wanderings bring out the loneliness of the metropolis—shot by H...

  • La Chinoise

    Leaving May 1

    Directed by Jean-Luc Godard | 96 mins | 1967
    Jean-Pierre Léaud, Juliet Berto, and Anne Wiazemsky co-star in Godard’s rouge-tinted, slogan-splattered political comedy concerning five innocents passing their summer vacation in a shared apartment by discoursing on Mao, performing agit...

  • Sympathy for Mr. Vengeance

    Leaving May 1

    Directed by Park Chan Wook | 116 mins | 2002
    Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic ...

  • Debut, or, Objects of the Field of Debris as Currently Catalogued

    Directed by Julian Castronovo | 77 mins | 2025
    In this irreverent, deliciously vertiginous docufiction caper—the beguiling, Rotterdam and Doc Fortnight-selected debut of Julian Castronovo—the writer-director plays a version of himself who becomes entangled in an "F for Fake"-indebted mystery. On ...

  • Variety

    Directed by Bette Gordon | 100 mins | 1983
    A young woman lands a job as a cashier at a downtown porno theater, and soon finds herself inexorably drawn towards what’s happening onscreen—as well as other troubling fantasies. One of the great independent films of the ’80s, featuring a who’s who of t...

  • Apolonia, Apolonia

    Directed by Lea Glob | 116 mins | 2022
    With her intense gaze and assured manner, the artist who gives Lea Glob’s documentary its title, a French painter born into the Parisian counterculture, is a figure of considerable magnetism. Filmed over the course of 13 years, from Apolonia’s early twenties...

  • Nocturnes

    Directed by Anirban Dutta and Anupama Srinivasan | 83 mins | 2024
    Filmed in the lush, remote forests of the Eastern Himalayas at the India-Bhutan border, Dutta and Srinivasan’s exquisitely crafted documentary immerses the viewer in the hidden nocturnal life of a little-seen corner of the globe, o...

  • Center Stage

    Leaving May 1

    Directed by Stanley Kwan | 154 mins | 1991
    One of the brightest stars of the Golden Age of Hong Kong cinema pays tribute to a predecessor from pre-revolutionary Chinese cinema, as Maggie Cheung passionately embodies Ruan Lingyu (1910-1935), the silent screen icon who committed suic...

  • Goodbye to Language

    Leaving May 1

    Directed by Jean-Luc Godard | 70 mins | 2014
    An innovator to the end, Godard’s penultimate feature finds him experimenting with the possibilities of digital 3D, using the technology to plot the disintegration of both a couple’s relationship and the images of the relationship. A fil...

  • It Felt Like Love

    Leaving May 1

    Directed by Eliza Hittman | 82 mins | 2013
    There’s not a single false moment in It Felt Like Love, Never Rarely Sometimes Always director Hittman’s feature debut about a sexually inexperienced south Brooklyn teenager (Gina Piersanti) who’s embarrassed to fess up to everything she d...

  • Mädchen in Uniform

    Leaving May 1

    Directed by Géza von Radványi | 91 mins | 1958
    Leaving aside the portrayals of royals that had been her breakthrough, Romy Schneider ventured into more risqué territory with this story of Sapphic desire bubbling up in a Potsdam boarding school—the second silver screen adaptation of...

  • Vive L'Amour

    Leaving May 1

    Directed by Tsai Ming-liang | 118 mins | 1994
    Tsai’s second feature is a masterful evocation of urban loneliness and longing, quietly devastating even in its forays into something like slowed-down slapstick. A love triangle takes shape when three people—including a repressed funera...

  • I'm Not Everything I Want to Be

    Movie

    Directed by Klára Tasovská | 90 mins | 2024
    Oft referred to as the Nan Goldin of Czechoslovakia, Libuše Jarcovjáková chronicled after-dark Prague in the 1970s and ’80s, her photographs of let-it-all-hang-out gay clubs, factory hands working the third shift, and clandestine parties giving a pictur...

  • The Crime is Mine

    Directed by François Ozon | 103 mins | 2023
    Who says crime doesn’t pay? For Madeleine Verdier (Nadia Tereszkiewicz), the struggling actress at the center of Ozon’s fizzy, screwball-channeling caper, confessing to a murder she didn’t commit proves to be a canny career move. When she lands a plum r...

  • The Memory of Water

    Leaving May 1

    Directed by Mary Stephen | 20 mins | 2018
    Breezy but poignant, this beautifully constructed short contemplates the hardiness of cultural roots from two vantage points: the first, belonging to a filmmaker who returns to her native Hong Kong after decades abroad in order to teach; th...

  • A Very Easy Death

    Leaving May 1

    Directed by Mary Stephen | 8 mins | 1975
    Mary Stephen’s metaphor-rich, deeply compassionate contemplation of her mother’s death and its aftermath, which takes its title from the 1964 book by Simone de Beauvoir.

  • Unmade Beds

    Directed by Amos Poe | 70 mins | 1976
    Jean-Paul Belmondo’s character in "Breathless" (1960) thought he was Humphrey Bogart; Duncan Hannah’s character in this proto-No Wave work—a restless poseur slash photographer named Rico—thinks he’s Jean-Paul Belmondo. Released the same year as Poe’s "Blank G...

  • Romance

    Directed by Catherine Breillat | 99 mins | 1999
    When Marie’s (Caroline Ducey) boyfriend loses interest in having sex with her, she engages a series of new and increasingly violent lovers—in pursuit of self-knowledge and perhaps a kind of transcendence through these acts of erotic masochism. Renow...