Directed by Éric Rohmer | 103 mins | 1987
Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

Directed by Lea Glob | 116 mins | 2022
With her intense gaze and assured manner, the artist who gives Lea Glob’s documentary its title, a French painter born into the Parisian counterculture, is a figure of considerable magnetism. Filmed over the course of 13 years, from Apolonia’s early twenties...

Directed by Julian Castronovo | 77 mins | 2025
In this irreverent, deliciously vertiginous docufiction caper—the beguiling, Rotterdam and Doc Fortnight-selected debut of Julian Castronovo—the writer-director plays a version of himself who becomes entangled in an "F for Fake"-indebted mystery. On ...

Directed by Bette Gordon | 100 mins | 1983
A young woman lands a job as a cashier at a downtown porno theater, and soon finds herself inexorably drawn towards what’s happening onscreen—as well as other troubling fantasies. One of the great independent films of the ’80s, featuring a who’s who of t...

Leaving May 1

Directed by Kore-eda Hirokazu | 116 mins | 2009
A Tokyo waiter’s sex doll (Korean star Bae Doona) comes to life in this bittersweet modern fairy tale from the director of "Shoplifters" and "Nobody Knows." Her wide-eyed wanderings bring out the loneliness of the metropolis—shot by H...

Directed by Anirban Dutta and Anupama Srinivasan | 83 mins | 2024
Filmed in the lush, remote forests of the Eastern Himalayas at the India-Bhutan border, Dutta and Srinivasan’s exquisitely crafted documentary immerses the viewer in the hidden nocturnal life of a little-seen corner of the globe, o...

Directed by François Ozon | 103 mins | 2023
Who says crime doesn’t pay? For Madeleine Verdier (Nadia Tereszkiewicz), the struggling actress at the center of Ozon’s fizzy, screwball-channeling caper, confessing to a murder she didn’t commit proves to be a canny career move. When she lands a plum r...

Leaving March 1

Directed by Lucrecia Martel | 115 mins | 2017
A scruffy bureaucrat for the Spanish crown hopelessly angles for ways to get ahead in this audacious vision of 18th-century colonial empire, adapted from Antonio de Benedetto’s 1956 novel of the same name. Don Diego’s anti-epic progre...

Directed by Amos Poe | 70 mins | 1976
Jean-Paul Belmondo’s character in "Breathless" (1960) thought he was Humphrey Bogart; Duncan Hannah’s character in this proto-No Wave work—a restless poseur slash photographer named Rico—thinks he’s Jean-Paul Belmondo. Released the same year as Poe’s "Blank G...

Directed by Béla Tarr | 439 mins | 1994
A cinephile rite of passage, Tarr’s magnum opus immerses us in the world of about a dozen characters in a shuttered factory town who are visited by a messianic figure but are also distracted by their own eyebrow-raising personal missions. Creating a rich te...

Directed by Hou Hsiao-hsien | 107 mins | 2001
A seductive submersion into the techno-scored neon nightlife of Taipei, Hou’s much-misunderstood marvel follows an aimless bar hostess drifting away from her blowhard boyfriend and towards a suave, sensitive gangster. A transfixing trance-out of a mov...

Directed by Catarina Vasconcelos | 101 mins | 2020
A metaphor-rich magic realist metafiction memoir, Vasconcelos’s hybrid documentary debut feature tells the story of the filmmaker’s family history—in particular, her grandparents’ love affair and her commiseration with her father over the early l...

Directed by Dónal Foreman | 74 mins | 2018
An otherwise impossible conversation between two men of different generations, both filmmakers, is instigated via cinema itself in this probing and achingly personal essay film. Dónal Foreman grew up in Dublin, estranged from his father, the documentaria...

Directed by Lynne Sachs | 74 mins | 2020
One man, Ira Sachs Sr., refracted through a host of familial voices and a variety of film formats, the technology evolving over the course of 25 years of shooting. As one of the numerous children he sired with different women—with not all of his progeny kn...

Directed by Andrzej Zulawski | 124 mins | 1981
Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isabe...

Directed by Camille Billops and James Hatch | 55 mins | 1991
An affecting yet unsentimental portrait of motherhood, Camille Billops’s collaboration with husband James Hatch captures her reunion with the daughter she was forced to give up for adoption in 1961, combining candid interviews and archi...

Directed by François Ozon | 101 mins | 2021
Shot on Super 16 and set on the French Riviera, Ozon’s hot and thorny tale of summer lovin’, with its soundtrack of sunny ’80s hits, is nevertheless tugged along by an undercurrent of tragedy. Aspiring writer Alexis, 16, meets David, two years his senio...

Directed by Tsai Ming-liang | 82 mins | 2003
Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

Directed by Travis Wilkerson | 90 mins | 2017
A particularly lacerating take on the “home movie,” Wilkerson’s film excavates the buried story of his own great-grandfather’s murder of a Black man in c. 1946 Dothan, Alabama, an inquest that puts him in conflict with contemporary residents of the to...

Directed by Catherine Breillat | 99 mins | 1999
When Marie’s (Caroline Ducey) boyfriend loses interest in having sex with her, she engages a series of new and increasingly violent lovers—in pursuit of self-knowledge and perhaps a kind of transcendence through these acts of erotic masochism. Renow...

Directed by Elisabeth Subrin | 98 mins | 2016
Sick of L.A. and sitcom success, actress and woman on the verge Anna Baskin (Maggie Siff) looks to reconnect with her roots in the New York theater scene. But the city offers no respite in this smart and restrained drama, the sole narrative feature by...