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Shanghai Blues
Directed by Tsui Hark | 103 mins | 1984
This kinetic, ultra-stylish screwball comedy/historical romance/backstage musical by the inimitable Tsui—beautifully restored for its 40th anniversary—is one of the most zestily entertaining works of 1980s Hong Kong cinema. Kenny Bee’s nightclub clown and w... -
Can She Bake a Cherry Pie?
Directed by Henry Jaglom | 90 mins | 1983
The fleet, dryly funny fourth feature from independent cinema stalwart Henry Jaglom stars a riveting Karen Black—who also composed music for the film—as Zee, a middle-aged Upper West Sider, who, reeling after being abandoned by her husband, pursues an am... -
Boyfriends and Girlfriends
Directed by Éric Rohmer | 103 mins | 1987
Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an ... -
The Hole
Directed by Tsai Ming-liang | 89 mins | 1999
It’s the close of the millennium and Taipei has emptied out with the onset of a mysterious virus, but Lee Kang-sheng and Yang Kuei-mei lag behind among the ruins, where maybe a last chance at communication lies through a breach between their apartments... -
Woman on the Beach
Directed by Hong Sangsoo | 127 mins | 2006
Deploying another of Hong’s beguiling twice-told narratives, Woman on the Beach begins with the tale of a creatively blocked filmmaker and his affair with the girlfriend of his friend and sometime collaborator at a coastal resort, then follows the filmm... -
Gazer
Directed by Ryan J. Sloan | 114 mins | 2024
Sloan’s paranoiac, drum-tight noir thriller stars Ariella Mastroianni as Frankie, a single mother living outside Newark, New Jersey, who, suffering from worsening dyschronometria—a condition that makes it difficult for her to accurately perceive the pas... -
Psycho Beach Party
Directed by Robert Lee King | 96 mins | 2000
The wholesome genre of 1950s beach movies gets a demented camp makeover in the parodic, perky-paletted story of Chicklet (Lauren Ambrose), a teenager who becomes a suspect in a serial killer investigation because of her multiple personalities. Screenwr... -
My Heart is That Eternal Rose
Directed by Patrick Tam | 90 mins | 1989
One of the unheralded masterworks of the Hong Kong New Wave, Tam’s high-style “heroic bloodshed” melodrama stars Tony Leung Chiu-Wai, Kenny Bee, and Joey Wong as friends bound by ties both criminal and romantic. With shamelessly pulpy plotting, luxuriously... -
Somersault
Directed by Cate Shortland | 106 mins | 2004
Shortland’s visually arresting debut feature, a standout at the 2004 Cannes Film Festival recently restored in 4K, follows 16-year-old Heidi (Abbie Cornish), in flight from a catastrophic fall out with her mother, as she posts up in the frigid Australi... -
Kaili Blues
Directed by Bi Gan | 113 mins | 2015
Chinese filmmaker Bi Gan’s audacious directorial debut announced a major new talent. Shot in the mining village Kaili, the director’s birthplace, the film follows a country doctor who enters a dreamlike world where the boundaries between past, present, and fu... -
No Sleep Till
Directed by Alexandra Simpson | 93 mins | 2024
The threat of an impending hurricane has sent most of the residents of and visiting tourists to the coastal Florida town of Atlantic Beach scurrying for cover—but Simpson’s ravishing mood piece lingers behind with a handful of holdouts ignoring the ... -
Frantz
Leaving September 1
Directed by François Ozon | 114 mins | 2016
Based on Ernst Lubitsch’s sole dramatic talkie, "Broken Lullaby" (1932), Ozon’s finely wrought period piece unfolds in Quedlinburg, Germany, where Anna (Paula Beer) is mourning the death of her fiance, a soldier killed in the Great ... -
A Woman, a Part
Leaving September 1
Directed by Elisabeth Subrin | 98 mins | 2016
Sick of L.A. and sitcom success, actress and woman on the verge Anna Baskin (Maggie Siff) looks to reconnect with her roots in the New York theater scene. But the city offers no respite in this smart and restrained drama, the sole... -
I'm Not Everything I Want to Be
Leaving September 1
Directed by Klára Tasovská | 90 mins | 2024
Oft referred to as the Nan Goldin of Czechoslovakia, Libuše Jarcovjáková chronicled after-dark Prague in the 1970s and ’80s, her photographs of let-it-all-hang-out gay clubs, factory hands working the third shift, and clandestine pa... -
The Crime is Mine
Leaving September 1
Directed by François Ozon | 103 mins | 2023
Who says crime doesn’t pay? For Madeleine Verdier (Nadia Tereszkiewicz), the struggling actress at the center of Ozon’s fizzy, screwball-channeling caper, confessing to a murder she didn’t commit proves to be a canny career move. Wh... -
Possession
Directed by Andrzej Zulawski | 124 mins | 1981
Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isab... -
Good One
Directed by India Donaldson | 90 mins | 2024
A standout of Sundance 2024, Donaldson’s piercing debut drama stars astonishing newcomer Lily Collias as 17-year-old Sam, forced to play mediator between her father (James Le Gros) and his oldest friend (Danny McCarthy) when their gently contentious ba... -
Stranger by the Lake
Directed by Alain Guiraudie | 100 mins | 2013
Lauded and laureled at Cannes, Guiradie’s understated, simmeringly sensual thriller explores the proximity of Eros and Thanatos in an idyllic, lakeside nude beach/cruising spot—shot for maximum pastoral splendor by DP Claire Mathon—where regular Franc... -
Black Mirror
Leaving September 1
Directed by Anocha Suwichakornpong | 3 mins | 2008
A haunting guitar track by Koichi Shimizu and Zai Kuning underscores this multi-textured, kaleidoscopic series of glimpses of modern-day Thailand, which was produced under the auspices of Electric Eel Films, the production ho... -
A Vanishing Fog
Directed by Augusto Sandino | 77 mins | 2021
For Colombia’s Indigenous Muisca people, Sumapaz Páramo, a tropical plateau located high up in the Andes, was a sacred realm. It is here that Augusto Sandino sets his haunting, mystical debut—the first film to have ever been shot in this now-endangered...