Directed by Lee Chang-dong | 111 mins | 1997
Already established as a novelist and playwright, Lee made the leap to the director’s chair with this spectacularly assured first feature, a scourging commentary on South Korean society dressed up in film noir trappings, focused on a freshly demobbed y...

Directed by Éric Rohmer | 103 mins | 1987
Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

Directed by Kore-eda Hirokazu | 116 mins | 2009
A Tokyo waiter’s sex doll (Korean star Bae Doona) comes to life in this bittersweet modern fairy tale from the director of "Shoplifters" and "Nobody Knows." Her wide-eyed wanderings bring out the loneliness of the metropolis—shot by Hou Hsiao-hsien’...

Directed by Lee Chang-dong | 130 mins | 1999
Opening on a shocking scene of implied suicide, Lee’s sophomore feature proceeds to move backward in time, its reverse chronology following its protagonist’s unhappiness to its source, following him from the end of the ’70s to the close of the ’90s—yea...

Directed by Lee Chang-dong | 133 mins | 2002
Jong-du (Sul Kyung-gu), just out of prison, very little reformed, and shunned by his family, finds an unlikely soulmate in the person of Gong-ju (Moon So-ri), a woman with severe cerebral palsy—and the daughter of the victim of the hit-and-run for whic...

Directed by Andrzej Zulawski | 124 mins | 1981
Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isabe...

Directed by Hong Sangsoo | 66 mins | 2021
This devilishly deft portrait of missed and near-missed connections orbits a young man (Shin Seok-ho) adrift, sketching out his romantic and familial relationships in three parts (and a mere 66 minutes). Shooting his own feature for the first time, in bla...

Leaving November 1

Directed by RaMell Ross | 76 mins | 2018
The results of five years of living among African American families in rural Hale County, Alabama—also the setting of Walker Evans and James Agee’s photo-essay Let Us Now Praise Famous Men—Ross’s debut feature documentary is a lyrical a...

Leaving November 1

Directed by Ana Lily Amirpour | 104 mins | 2014
Amirpour’s atmospheric, entirely original, black-and-white thriller gave an infusion of fresh blood to the venerable vampire movie genre, revolving around the figure of a mysterious, chador-clad female bloodsucker who exercises a...

Directed by Hong Sangsoo | 77 mins | 2020
Hong mines wisdom and wit out of a deftly presented and deceptively simple scenario: a young woman’s visits to three of her friends while her husband’s away. In insightful, unpredictable conversations with people at different points in their lives, Gamhee...

Directed by Hong Sangsoo | 145 mins | 2008
Fortysomething Korean painter Sungnam (Kim Yeong-ho) seeks refuge in Paris and takes up with a series of fellow expats, despite a wife back home. In this classic from the 2010s, Hong casts an amused and amusing eye on the clueless Sungnam, expertly daisy...

Leaving November 1

Directed by Jean-Luc Godard | 70 mins | 2014
An innovator to the end, Godard’s penultimate feature finds him experimenting with the possibilities of digital 3D, using the technology to plot the disintegration of both a couple’s relationship and the images of the relationship. ...

Directed by Hong Sangsoo | 68 mins | 2017
Isabelle Huppert re-teams with the Korean master for a light-footed comedy about a Polaroid-wielding schoolteacher visits Cannes and befriends a newly jobless woman (Kim Minhee). Their quick friendship sheds light on the meddlesome reasons for her firing,...

Directed by Dario Argento | 119 mins | 1996
Asia Argento, the director’s daughter and a future star in her own right, plays a detective on the trail of a serial killer, who takes advantage of her condition: entering an unconscious or fugue state upon encountering certain artwork. Infusing giallo ...