Directed by Jack Hazan | 106 mins | 1973
Jack Hazan’s intimate and innovative film about English-born, often California-based artist David Hockney and his work honors its subject through creative risk-taking. The improvisatory narrative-nonfiction hybrid features Hockney—a wary participant—as wel...

Directed by Tsai Ming-liang | 127 mins | 2020
The parallel narratives of a middle-aged man seeking treatment for a chronic illness in Hong Kong (Lee Kang-sheng) and a Laotian immigrant in Bangkok (Anong Houngheuangsy) eventually, finally, meet in a moment of ecstatic release.

Leaving February 1

Directed by John Maybury | 91 mins | 1998
Long before Daniel Craig pursued a fraught gay romance in "Queer" (2024), there was "Love is the Devil": in this brutal but scintillating flashback to 1960s London, Craig portrays George Dyer, the petty criminal from the rough-and-tumb...

Directed by João Pedro Rodrigues | 87 mins | 2000
The rare film to be both feted by festival cognoscenti and uploaded to disreputable porn sites, Rodrigues’s confrontational, controversial debut feature heralded the arrival of a major queer artist. Concerning the carnal odyssey of a Lisbon trash ...

Leaving February 1

Directed by Todd Haynes | 85 mins | 1991
With his first feature, Haynes took his influence from the patron saint of all queer outlaw art, the French writer and director Jean Genet. The result, a landmark of New Queer Cinema, was a trio of intercut, stylistically distinct stori...

Leaving February 1

Directed by Steve McLean | 87 mins | 1994
Based on the autobiographical writings of David Wojnarowicz and coming hot on the heels of the firebrand artist-activist’s death from AIDS in 1992, Steve McLean’s feature debut remains an underseen landmark of New Queer Cinema. Interwo...

Leaving February 1

Directed by Tom Kalin | 94 mins | 1992
Tom Kalin’s coruscating debut returns to the scene of the infamous Leopold and Loeb murder case, likewise a key inspiration for Hitchcock’s Rope, but in this telling the unspoken homosexual undercurrent of the crime is put boldly front an...