Made in Hong Kong
International Arthouse
•
1h 49m
Directed by Fruit Chan | 109 mins | 1997
The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The result is a tough, pessimistic film, a portrait of a city on the brink that follows the drifting of high-school dropout and wannabe Triad tough Autumn Moon (Sam Lee, in a star-making role, opposite a largely nonprofessional cast), who sees little hope for his future or that of his home as a newly created Special Administrative Region within China. A raw, groundbreaking drama and portrait of nihilistic youth in the same vein as Rebel Without a Cause, My Own Private Idaho, and The Doom Generation, the film poses questions that remain burningly relevant as tumult engulfs Hong Kong.
A Metrograph Pictures release.
4K restoration was carried out in the Hong Kong and Bologna headquarters of L’Immagine Ritrovata, made from the original camera negative with the supervision of director Fruit Chan and cinematographer O Sing-Pui.
The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The result is a tough, pessimistic film, a portrait of a city on the brink that follows the drifting of high-school dropout and wannabe Triad tough Autumn Moon (Sam Lee, in a star-making role, opposite a largely nonprofessional cast), who sees little hope for his future or that of his home as a newly created Special Administrative Region within China. A raw, groundbreaking drama and portrait of nihilistic youth in the same vein as Rebel Without a Cause, My Own Private Idaho, and The Doom Generation, the film poses questions that remain burningly relevant as tumult engulfs Hong Kong.
A Metrograph Pictures release.
4K restoration was carried out in the Hong Kong and Bologna headquarters of L’Immagine Ritrovata, made from the original camera negative with the supervision of director Fruit Chan and cinematographer O Sing-Pui.
Up Next in International Arthouse
-
Millennium Mambo
Directed by Hou Hsiao-hsien | 107 mins | 2001
A seductive submersion into the techno-scored neon nightlife of Taipei, Hou’s much-misunderstood marvel follows an aimless bar hostess drifting away from her blowhard boyfriend and towards a suave, sensitive gangster. A transfixing trance-out of a mo... -
Suspended Time
Directed by Olivier Assayas | 105 mins | 2024
Interpersonal tensions, neuroses, and nostalgia flare in the countryside cottage where two out-of-touch brothers and their respective girlfriends have congregated to wait out the worst of the COVID-19 pandemic. With Olivier Assayas himself providing ... -
The Lost Okoroshi
Leaving August 1
Directed by Abba Makama | 95 mins | 2019
What’s the opposite of Afrofuturism? In Abba Makama’s lively and comedic low-budget fable, Raymond, a disenchanted Lagos security guard, wakes up as a masked mass of shimmying purple raffia: he’s been transformed into a traditional Igbo s...
