Classic Cinema

Classic Cinema

Beloved favorites from cinema's Golden Age.

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Classic Cinema
  • A Zed And Two Noughts

    Directed by Peter Greenaway | 115 mins | 1985
    After a freak accident involving a swan leaves two women dead and a third—Andrea Ferréol’s Alba—with just one leg, the twin zoologist widowers of the deceased become obsessed with decomposition, experimenting on animals and crafting time-lapse films o...

  • Beuys

    Leaving November 1

    Directed by Andreis Veil | 107 mins | 2017
    A rich trove of never-before-seen archival footage shows how the charismatic and controversial German artist Joseph Beuys’s teachings, installations, happenings—such as covering himself in honey and gold leaf in How to Explain Paintin...

  • Damnation

    Directed by Béla Tarr | 116 mins | 1987
    Tarr’s first collaboration with writer Laszlo Krasznahorkai produces a quintessential Eastern bloc brew of voluptuous gloom and romantic doom that became the filmmaker’s defining style. The story of a hard-drinking man, the wicked cabaret singer he loves, a...

  • Daughters of Darkness

    Directed by Harry Kümel | 87 mins | 1971
    Profoundly inspired by the spirit of Belgian Surrealist and Symbolist painting, Kümel’s darkly poetic horror film begins with a young newlywed couple waylaid at a grand hotel en route to England, where they fall under the spell of the elegant Hungarian Cou...

  • Dream Life

    Directed by Mireille Dansereau | 85 mins | 1972
    The first female-directed narrative fiction feature to come out of Quebec, Dansereau’s sensual and beguiling Dream Life centers on Isabelle and Virginie (Liliane Lemaître-Auger and Véronique Le Flaguais), two single young women who meet through thei...

  • Eccentricities of a Blonde-Haired Girl

    Directed by Manoel de Oliveira | 63 mins | 2009
    In Oliveira’s rueful romantic tale, an accountant grows obsessed with a formidable young woman he spots in a window across the street, and tries to court her despite his uncle’s snobby disapproval. Ricardo Trepa, who was both Oliveira’s go-to lead a...

  • Funeral Parade of Roses

    Directed by Toshio Matsumoto | 105 mins | 1969
    Part of the storied output of Japan’s radical Art Theatre Guild, Matsumoto’s dazzling voyage through Tokyo’s Shinjuku neighborhood centers on two gender-nonconforming divas at “Bar Genet” but also doubles as a record of Japan’s avant-garde and subcul...

  • Gebo and the Shadow

    Directed by Manoel de Oliveira | 95 mins | 2012
    Oliveira’s triumphant swansong turns a family dinner into a percolating drama of mortality and morality as a bookkeeper and his wife reckon with their estranged son’s thievery. The cast is a roster of arthouse legends: Michael Lonsdale as the aging ...

  • La Chinoise

    Leaving November 1

    Directed by Jean-Luc Godard | 96 mins | 1967
    Jean-Pierre Léaud, Juliet Berto, and Anne Wiazemsky co-star in Godard’s rouge-tinted, slogan-splattered political comedy concerning five innocents passing their summer vacation in a shared apartment by discoursing on Mao, performing...

  • Little Fugitive

    Directed by Morris Engel | 81 mins | 1953
    A pioneering influence on the French New Wave, this New York independent classic follows a seven-year-old boy through the hustle and bustle of Coney Island after he runs away from home, spooked by a cruel prank. It’s filmed with close-up immediacy thanks ...

  • Ornette: Made in America

    Directed by Shirley Clarke | 85 mins | 1985
    “Discovering the work of filmmaker and the Film-Makers' Cooperative co-founder, Shirley Clarke made me aware of the wide range of cinema’s possibilities. This 1985 documentary shot in collaboration with the late Ornette Coleman, using a diverse array of...

  • Personal Problems Pt. 1

    Leaving November 1

    Directed by Bill Gunn | 165 mins | 1980
    Bill Gunn, actor, screenwriter, novelist, and the director of art-horror classic Ganja & Hess (1973), teamed with writer Ishmael Reed and producer Steve Cannon to produce what Reed has called a “meta-soap opera,” an exceptional, rough-ed...

  • Personal Problems Pt. 2

    Leaving November 1

    Directed by Bill Gunn | 72 mins | 1980
    Bill Gunn, actor, screenwriter, novelist, and director, teamed with writer Ishmael Reed and producer Steve Cannon to produce what Reed has called a “meta-soap opera,” an exceptional, rough-edged ensemble piece exploring Black working-clas...

  • Poison

    Leaving November 1

    Directed by Todd Haynes | 85 mins | 1991
    With his first feature, Haynes took his influence from the patron saint of all queer outlaw art, the French writer and director Jean Genet. The result, a landmark of New Queer Cinema, was a trio of intercut, stylistically distinct stori...

  • Portrait of Jason

    Directed by Shirley Clarke | 107 mins | 1967
    A distillation of a single 12-hour interview in a room at the Chelsea Hotel with the charismatic Jason Holliday (“real” name Aaron Payne), a gay, African American cabaret dancer, part-time hustler, and full-time raconteur, Portrait of Jason grows from ...

  • Sátántangó

    Directed by Béla Tarr | 439 mins | 1994
    A cinephile rite of passage, Tarr’s magnum opus immerses us in the world of about a dozen characters in a shuttered factory town who are visited by a messianic figure but are also distracted by their own eyebrow-raising personal missions. Creating a rich te...

  • The Connection

    Directed by Shirley Clarke | 110 mins | 1961
    “Shirley Clarke’s The Connection based on and adapted by Jack Gelber is a film way ahead of its time. Arguably the first film to use the “found footage” trope to tell a fictional story. This film blew my mind when I first saw it, the direction and the ...

  • The Draughtsman's Contract

    Directed by Peter Greenaway | 104 mins | 1982
    Greenaway’s 1982 arthouse breakthrough, a 17th-century murder mystery in which an aristocratic wife (Janet Suzman) commissions a young, cocksure draughtsman (Anthony Higgins) to sketch her husband’s seemingly idyllic property while he is away—in excha...

  • The Falls

    Directed by Peter Greenaway | 239 mins | 1980
    Greenaway’s first feature, an epic mock documentary in 92 parts that catalogs the aftermath of a mysterious “Violent Unknown Event” that has killed many people, and left survivors suffering from symptoms including strange dreams and mutations into bir...

  • The Queen

    Directed by Frank Simon | 68 mins | 1968
    Welcome to the 1967 Miss All-American Camp Beauty Pageant, held at New York’s Town Hall! Simon’s essential document of queer history takes us backstage to rehearsals and dressing rooms at a drag competition organized by Flawless Sabrina, and judged by a pa...

  • The Strange Case of Angelica

    Directed by Manoel de Oliveira | 97 mins | 2010
    When a photographer is asked by a grieving family to shoot a funeral portrait of their deceased daughter, she miraculously appears to come alive. So begins a typically enchanting and richly detailed ghost story from Oliveira—one of his masterpieces,...

  • The Turin Horse

    Directed by Béla Tarr and Ágnes Hranitzky | 155 mins | 2011
    Tarr’s final feature distills the essence of his cinema with the potency of farmer’s moonshine: a cart driver and his daughter survive harsh lives amid the stark beauty of desolation. With a nearly mood-altering dilation of time, this pr...

  • Variety

    Directed by Bette Gordon | 100 mins | 1983
    A young woman lands a job as a cashier at a downtown porno theater, and soon finds herself inexorably drawn towards what’s happening onscreen—as well as other troubling fantasies. One of the great independent films of the ’80s, featuring a who’s who of t...