“Love is the drug / And I need to score,” averred Bryan Ferry on what would become Roxy Music’s most popular song—maybe because the central conceit is such a powerfully relatable one. The pursuit of intimacy becomes an obsession in each of the torrid and tumultuous films in this collection, which runs the gamut from the coolly masochistic quest of Catherine Breillat’s "Romance" to the murderous machinations of "The Last Seduction".