Back by Popular Demand

Back by Popular Demand

Encore presentations of our most popular titles

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Back by Popular Demand
  • Unmade Beds

    Directed by Amos Poe | 70 mins | 1976
    Jean-Paul Belmondo’s character in "Breathless" (1960) thought he was Humphrey Bogart; Duncan Hannah’s character in this proto-No Wave work—a restless poseur slash photographer named Rico—thinks he’s Jean-Paul Belmondo. Released the same year as Poe’s "Blank G...

  • Variety

    Directed by Bette Gordon | 100 mins | 1983
    A young woman lands a job as a cashier at a downtown porno theater, and soon finds herself inexorably drawn towards what’s happening onscreen—as well as other troubling fantasies. One of the great independent films of the ’80s, featuring a who’s who of t...

  • Typhoon Club

    Directed by Shinji Sômai | 115 mins | 1985
    Emotionally raw, enormously tender and, finally, tentatively hopeful, Sômai’s breakthrough film—winner of the Grand Prix at the first Tokyo International Film Festival—observes a group of provincial junior high students who find themselves forced to take...

  • Sátántangó

    Directed by Béla Tarr | 439 mins | 1994
    A cinephile rite of passage, Tarr’s magnum opus immerses us in the world of about a dozen characters in a shuttered factory town who are visited by a messianic figure but are also distracted by their own eyebrow-raising personal missions. Creating a rich te...

  • The Incredibly True Adventure of Two Girls in Love

    Directed by Maria Maggenti | 95 mins | 1995
    Coming of age meets coming out in this charming lesbian romcom, which pairs Laurel Holloman (later, "The L Word"’s Tina) with Nicole Ari Parker ("Boogie Nights") as two high schoolers who forge an unlikely bond: the former a tomboy on the social margins...

  • Romance

    Directed by Catherine Breillat | 99 mins | 1999
    When Marie’s (Caroline Ducey) boyfriend loses interest in having sex with her, she engages a series of new and increasingly violent lovers—in pursuit of self-knowledge and perhaps a kind of transcendence through these acts of erotic masochism. Renow...

  • The Headless Woman

    Directed by Lucrecia Martel | 89 mins | 2008
    Martel’s haunting study of self-deception follows Veronica, a beloved but remote mother, after her car hits something in the road—or was it a person? As the stylish “Vero” (the late, great Maria Onetto) drifts in a daze among family and friends, the ur...

  • The Arbor

    Directed by Clio Barnard | 91 mins | 2010
    Andrea Dunbar’s first play, "The Arbor"—a grimly autofictional work about a Yorkshire schoolgirl who falls pregnant, named for the council estate where she lived—premiered in London’s West End when she was just 18. By her untimely death at age 29, she’d p...

  • It Felt Like Love

    Directed by Eliza Hittman | 82 mins | 2013
    There’s not a single false moment in It Felt Like Love, Never Rarely Sometimes Always director Hittman’s feature debut about a sexually inexperienced south Brooklyn teenager (Gina Piersanti) who’s embarrassed to fess up to everything she doesn’t know abo...

  • Girlhood

    Directed by Céline Sciamma | 113 mins | 2014
    Set in the suburbs of Paris, Sciamma’s coming-of-age story stars Karidja Touré as Marieme, a 16-year-old who finds a sense of sorority, camaraderie, and mutual support when she joins up with an amateur “gang” of girls her age—much to the chagrin of her...

  • A Woman, a Part

    Directed by Elisabeth Subrin | 98 mins | 2016
    Sick of L.A. and sitcom success, actress and woman on the verge Anna Baskin (Maggie Siff) looks to reconnect with her roots in the New York theater scene. But the city offers no respite in this smart and restrained drama, the sole narrative feature by...

  • Western

    Directed by Valeska Grisebach | 121 mins | 2017
    Tensions rise during a work stoppage when a group of German laborers erecting a hydroelectric plant in rural Bulgaria suddenly find themselves with time to get into trouble in Grisebach’s patient, tonally precise, naturalist drama, which thoughtfull...

  • Zama

    Leaving March 1

    Directed by Lucrecia Martel | 115 mins | 2017
    A scruffy bureaucrat for the Spanish crown hopelessly angles for ways to get ahead in this audacious vision of 18th-century colonial empire, adapted from Antonio de Benedetto’s 1956 novel of the same name. Don Diego’s anti-epic progre...