At Home with...

At Home with...

Friends of Metrograph share a film they love, streaming on demand on the Metrograph At Home platform. Featuring recommendations from Paul Schrader, Ari Aster, Weyes Blood, Eileen Myles, and many more!

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At Home with...
  • Psycho Beach Party

    Directed by Robert Lee King | 96 mins | 2000
    The wholesome genre of 1950s beach movies gets a demented camp makeover in the parodic, perky-paletted story of Chicklet (Lauren Ambrose), a teenager who becomes a suspect in a serial killer investigation because of her multiple personalities. Screenwr...

  • Rock 'n' Roll High School

    Directed by Allan Arkush and Joe Dante | 93 mins | 1979
    The moptop Ramones liberate a school from killjoy Principal Togar (Mary Woronov) in this sweetly rambunctious romp starring P.J. Soles (Halloween) as lead rebel of the student body. The innocent music-fueled anarchy (directed by a veteran of...

  • The Tsugua Diaries

    Leaving November 1

    Directed by Maureen Fazendeiro and Miguel Gomes | 102 mins | 2021
    The relaxed routine of housemates Carlos, Crista, and João, living in rural isolation during the COVID pandemic, gives way to beguiling mystery in this meta-movie about the demands of filmmaking and the laxity o...

  • The Headless Woman

    Directed by Lucrecia Martel | 89 mins | 2008
    Martel’s haunting study of self-deception follows Veronica, a beloved but remote mother, after her car hits something in the road—or was it a person? As the stylish “Vero” (the late, great Maria Onetto) drifts in a daze among family and friends, the ur...

  • Introduction

    Directed by Hong Sangsoo | 66 mins | 2021
    This devilishly deft portrait of missed and near-missed connections orbits a young man (Shin Seok-ho) adrift, sketching out his romantic and familial relationships in three parts (and a mere 66 minutes). Shooting his own feature for the first time, in bla...

  • Variety

    Directed by Bette Gordon | 100 mins | 1983
    A young woman lands a job as a cashier at a downtown porno theater, and soon finds herself inexorably drawn towards what’s happening onscreen—as well as other troubling fantasies. One of the great independent films of the ’80s, featuring a who’s who of t...

  • Boyfriends and Girlfriends

    Directed by Éric Rohmer | 103 mins | 1987
    Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

  • Made in Hong Kong

    Directed by Fruit Chan | 109 mins | 1997
    The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

  • In The Mirror of Maya Deren

    Leaving November 1

    Directed by Martina Kudlacek | 103 mins | 2001
    Using footage from Deren’s groundbreaking experimental films of the 1940s—among them Meshes of the Afternoon and At Land—and interviews with Deren’s contemporaries, Kudlacek’s film provides penetrating insights into the mind of it...

  • Sympathy for Mr. Vengeance

    Leaving November 1

    Directed by Park Chan Wook | 116 mins | 2002
    Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim l...

  • Goodbye, Dragon Inn

    Directed by Tsai Ming-liang | 82 mins | 2003
    Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

  • A Girl Walks Home Alone At Night

    Leaving November 1

    Directed by Ana Lily Amirpour | 104 mins | 2014
    Amirpour’s atmospheric, entirely original, black-and-white thriller gave an infusion of fresh blood to the venerable vampire movie genre, revolving around the figure of a mysterious, chador-clad female bloodsucker who exercises a...

  • Helmut Newton: the Bad and the Beautiful

    Leaving November 1

    Directed by Gero von Boehm | 93 mins | 2020
    Released on the centenary of its late subject’s birth, von Boehm’s fascinating documentary investigates the German-born photographer and provocateur Helmut Newton’s complicated legacy as the maestro of “porno chic” through interviews...

  • 2 Friends

    Directed by Jane Campion | 76 mins | 1986
    A formally daring inquest into a fractured friendship from Campion with a screenplay by novelist Helen Garner, 2 Friends opens with once-inseparable teenage girlfriends who having drifted apart, then moves back through the years to observe the episodes th...

  • It Felt Like Love

    Directed by Eliza Hittman | 82 mins | 2013
    There’s not a single false moment in It Felt Like Love, Never Rarely Sometimes Always director Hittman’s feature debut about a sexually inexperienced south Brooklyn teenager (Gina Piersanti) who’s embarrassed to fess up to everything she doesn’t know abo...

  • A Night of Knowing Nothing

    Leaving November 1

    Directed by Payal Kapadia | 96 mins | 2021
    An emotionally charged, intimate examination of the lives of Indian university students, Kapadia’s riveting documentary, winner of the L’Oeil d’or at the Cannes Film Festival, is built around a series of letters written by a student, ...

  • BloodSisters

    Directed by Michelle Handelman | 69 mins | 1995
    A headlong plunge into the thriving “leatherdyke” BDSM community of ’90s San Francisco, Handelman’s film lets its eight subjects—all active participants in the leather scene—discuss private fantasy and public activism before the camera, as well as l...

  • Daughters of Darkness

    Directed by Harry Kümel | 87 mins | 1971
    Profoundly inspired by the spirit of Belgian Surrealist and Symbolist painting, Kümel’s darkly poetic horror film begins with a young newlywed couple waylaid at a grand hotel en route to England, where they fall under the spell of the elegant Hungarian Cou...

  • Little Fugitive

    Directed by Morris Engel | 81 mins | 1953
    A pioneering influence on the French New Wave, this New York independent classic follows a seven-year-old boy through the hustle and bustle of Coney Island after he runs away from home, spooked by a cruel prank. It’s filmed with close-up immediacy thanks ...

  • The Queen

    Directed by Frank Simon | 68 mins | 1968
    Welcome to the 1967 Miss All-American Camp Beauty Pageant, held at New York’s Town Hall! Simon’s essential document of queer history takes us backstage to rehearsals and dressing rooms at a drag competition organized by Flawless Sabrina, and judged by a pa...

  • Once Upon a Time in Anatolia

    Directed by Nuri Bilge Ceylan | 157 mins | 2011
    Against the majestic Turkish countryside, a roaming police investigation reveals more about the investigators and the tragicomedies of everyday life than about the foggy facts of the case. Ceylan’s gorgeously shot, masterfully paced story has a nove...

  • The Aviator's Wife

    Directed by Éric Rohmer | 106 mins | 1981
    The inaugural film of Éric Rohmer’s “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis that finds the director exploring the possibilities of handheld camerawork in following a narrative expression of the opening ...

  • Lady Vengeance

    Leaving November 1

    Directed by Park Chan Wook | 115 mins | 2005
    The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless mo...

  • Grace Jones: Bloodlight & Bami

    Leaving November 1

    Directed by Sophie Fiennes | 115 mins | 2018
    One doesn’t have to do much to make a film about the towering, tempestuous Jamaican-born Grace Jones visually stunning and frequently outrageous, but Fiennes goes above and beyond in this documentary portrait of the powerful and pan...