Directed by Peter Greenaway | 126 mins | 1995
Made from animal skins, parchment has been used as a medium for language since ancient times; in Peter Greenaway’s sumptuous, Hong Kong–set fabulation, the human body is the preferred site of expression, and the act of inscription an erotic rite. Vivi...

Directed by Thom Andersen | 173 mins | 2003
Los Angeles, so the story goes, became the nation’s movie capital in part because of its proximity to a variety of different landscapes, easily re-cast as other, far-flung places. But how has the city represented itself on screen? Thom Anderson’s semina...

Directed by Ulrike Ottinger | 150 mins | 1984
In Ottinger’s contemporary reinvention of the famous morality tale, fin-de-siècle dandy Dorian Gray is reimagined as a drag role, played without comment on the switch by Veruschka von Lehndorff in the male lead. Ottinger collides Oscar Wilde with Frit...

Directed by Werner Herzog | 107 mins | 1979
Herzog brashly took up the mantle of German Expressionism in revisiting the unhallowed soil of Murnau’s masterpiece, with old foe and collaborator Klaus Kinski as the pestilent Count and Isabelle Adjani as the owner of the pale, slender neck that he so ...

Directed by Bill Plympton | 5 mins | 2004
Why do dogs bark at such innocent creatures as pigeons and squirrels… what are they afraid of? This film answers that eternal question.

Leaving December 1

Directed by Guy Maddin | 80 mins | 2007
“For my entire life,” says Guy Maddin in a Metrograph Journal conversation, “I felt Winnipeg was a big donut hole in the center of the continent, that all the Hollywood films and TV shows that I grew up watching did not acknowledge its e...

Directed by Scott Cummings | 30 mins | 2014
Smeared in gaudy face-paint and dedicated as much to the hip-hop duo Insane Clown Posse as they are to generalized debauchery and destruction, the Juggalo remains one of fan culture’s most enduring—and most derided—outsider figures. In his experimental ...

Leaving December 1

Directed by John Dahl | 110 mins | 1994
Skipping town on her husband Clay (Bill Pullman), Bridget Gregory (Linda Fiorentino) sets about seducing a series of men into abetting her lethal money-making schemes. The fact that this erotic thriller played initially on TV meant that ...