Directed by João Pedro Rodrigues | 87 mins | 2000
The rare film to be both feted by festival cognoscenti and uploaded to disreputable porn sites, Rodrigues’s confrontational, controversial debut feature heralded the arrival of a major queer artist. Concerning the carnal odyssey of a Lisbon trash ...

Directed by Julie Dash | 8 mins | 1975
A five-film shorts program curated by LA Rebellion affiliated-filmmaker Zeinabu irene Davis, including works by Pierre Desir ("The Gods and the Thief"), Julie Dash ("Four Women"), Portia Cobb ("Don’t Hurry Back: A Diaspora Fable"), and others.

“These short...

Directed by Tsai Ming-liang | 89 mins | 1999
It’s the close of the millennium and Taipei has emptied out with the onset of a mysterious virus, but Lee Kang-sheng and Yang Kuei-mei lag behind among the ruins, where maybe a last chance at communication lies through a breach between their apartments...

Directed by Werner Herzog | 157 mins | 1982
The making of Herzog’s epic film about the endeavors of Irish entrepreneur Brian Sweeney Fitzgerald (Klaus Kinski) to build an opera house in the Amazon jungle is perhaps as fascinating as "Fitzcarraldo" itself, as was stunningly documented in Les Blank...

Directed by Marisa Silver | 92 mins | 1984
Eleven-year-old Lonnie (Sarah Boyd) is a Lower East Side kid who comes from money, while her teenaged pal Karen (Rainbow Harvest) doesn’t come from much of anything at all. At first these opposites attract, but then budding hormones and first crushes fur...

Directed by Andrew Norman Wilson | 11 mins | 2020
An atmospheric standout of the Sundance and the New York Film Festival shorts programs, Andrew Norman Wilson’s "In the Air Tonight" unfurls a ghost story beneath the night skies of Michael Mann’s Los Angeles. The film recounts the apocryphal tale ...

Directed by Margaret Tait | 86 mins | 1992
While making "Aftersun" (2022), Charlotte Wells discovered a kindred spirit in her compatriot Margaret Tait: the sole feature by the medical doctor turned poet and filmmaker, "Blue Black Permanent"—in fact the first by a Scotswoman, made towards the end ...

Directed by John Dahl | 110 mins | 1994
Skipping town on her husband Clay (Bill Pullman), Bridget Gregory (Linda Fiorentino) sets about seducing a series of men into abetting her lethal money-making schemes. The fact that this erotic thriller played initially on TV meant that Fiorentino was ineli...

Directed by Werner Herzog | 96 mins | 1970
The New York Times’ Vincent Canby called Werner Herzog’s mutinous second feature a work of “perverse, uninvolved intelligence”; Harmony Korine has called it “the greatest film ever made.” When a gaggle of little folk run riot at the correctional facility...

Directed by Carole Roussopoulos and Delphine Seyrig | 29 mins | 1976
A crucial piece of early feminist video art from the Les Insoumuses collective that documents a staged reading of would-be Andy Warhol assassin Valerie Solanas’s notorious misandrist call-to-arms of the same name—the acronym sta...

Directed by Hong Sangsoo | 68 mins | 2017
Isabelle Huppert re-teams with the Korean master for a light-footed comedy about a Polaroid-wielding schoolteacher visits Cannes and befriends a newly jobless woman (Kim Minhee). Their quick friendship sheds light on the meddlesome reasons for her firing,...

Directed by Hong Sangsoo | 66 mins | 2021
This devilishly deft portrait of missed and near-missed connections orbits a young man (Shin Seok-ho) adrift, sketching out his romantic and familial relationships in three parts (and a mere 66 minutes). Shooting his own feature for the first time, in bla...

Directed by Éric Rohmer | 103 mins | 1987
Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

Directed by Fruit Chan | 109 mins | 1997
The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

Directed by Park Chan Wook | 116 mins | 2002
Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic how an ordinary...

Directed by Tsai Ming-liang | 82 mins | 2003
Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

Leaving July 1

Directed by Harry Kümel | 87 mins | 1971
Profoundly inspired by the spirit of Belgian Surrealist and Symbolist painting, Kümel’s darkly poetic horror film begins with a young newlywed couple waylaid at a grand hotel en route to England, where they fall under the spell of the elega...

Directed by Éric Rohmer | 106 mins | 1981
The inaugural film of Éric Rohmer’s “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis that finds the director exploring the possibilities of handheld camerawork in following a narrative expression of the opening ...

Directed by Park Chan Wook | 115 mins | 2005
The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless motion on her release....