Directed by Lynne Ramsay | 98 mins | 2002
A sensory odyssey packed into an intimate story of love, death, and theft, Lynne Ramsay’s second feature stays close to its impossibly distant title character, played with a transfixing inscrutability by Samantha Morton. Passing off the work of her suicid...

Directed by Penelope Spheeris | 93 mins | 1988
The scummy, lightening-in-a-bottle Los Angeles punk scene that Penelope Spheeris captured in the first “Decline of Western Civilization” (1981) had morphed considerably by the time of this second instalment, nearly a decade later: the hair was bigger...

Directed by Peter Greenaway | 126 mins | 1995
Made from animal skins, parchment has been used as a medium for language since ancient times; in Peter Greenaway’s sumptuous, Hong Kong–set fabulation, the human body is the preferred site of expression, and the act of inscription an erotic rite. Vivi...

Leaving January 1

Directed by Thom Andersen | 173 mins | 2003
Los Angeles, so the story goes, became the nation’s movie capital in part because of its proximity to a variety of different landscapes, easily re-cast as other, far-flung places. But how has the city represented itself on screen? Tho...

Leaving January 1

Directed by Ulrike Ottinger | 150 mins | 1984
In Ottinger’s contemporary reinvention of the famous morality tale, fin-de-siècle dandy Dorian Gray is reimagined as a drag role, played without comment on the switch by Veruschka von Lehndorff in the male lead. Ottinger collides Os...

Directed by Werner Herzog | 107 mins | 1979
Herzog brashly took up the mantle of German Expressionism in revisiting the unhallowed soil of Murnau’s masterpiece, with old foe and collaborator Klaus Kinski as the pestilent Count and Isabelle Adjani as the owner of the pale, slender neck that he so ...

Leaving January 1

Directed by Bill Plympton | 5 mins | 2004
Why do dogs bark at such innocent creatures as pigeons and squirrels… what are they afraid of? This film answers that eternal question.

Directed by Scott Cummings | 30 mins | 2014
Smeared in gaudy face-paint and dedicated as much to the hip-hop duo Insane Clown Posse as they are to generalized debauchery and destruction, the Juggalo remains one of fan culture’s most enduring—and most derided—outsider figures. In his experimental ...