Directed by John Dahl | 110 mins | 1994
Skipping town on her husband Clay (Bill Pullman), Bridget Gregory (Linda Fiorentino) sets about seducing a series of men into abetting her lethal money-making schemes. The fact that this erotic thriller played initially on TV meant that Fiorentino was ineli...

Directed by Werner Herzog | 96 mins | 1970
The New York Times’ Vincent Canby called Werner Herzog’s mutinous second feature a work of “perverse, uninvolved intelligence”; Harmony Korine has called it “the greatest film ever made.” When a gaggle of little folk run riot at the correctional facility...

Directed by Carole Roussopoulos and Delphine Seyrig | 29 mins | 1976
A crucial piece of early feminist video art from the Les Insoumuses collective that documents a staged reading of would-be Andy Warhol assassin Valerie Solanas’s notorious misandrist call-to-arms of the same name—the acronym sta...

Directed by Jan Švankmajer | 92 mins | 1994
Drawing on a cluster of iterations of the Faust legend but faithful to none, Švankmajer reimagines the tale of a man’s compact with the Devil through flights of dark, deranging fancy. The inimitable Czech surrealist deploys his trademark combination of ...

Directed by Hong Sangsoo | 68 mins | 2017
Isabelle Huppert re-teams with the Korean master for a light-footed comedy about a Polaroid-wielding schoolteacher visits Cannes and befriends a newly jobless woman (Kim Minhee). Their quick friendship sheds light on the meddlesome reasons for her firing,...

Directed by Dario Argento | 119 mins | 1996
Asia Argento, the director’s daughter and a future star in her own right, plays a detective on the trail of a serial killer, who takes advantage of her condition: entering an unconscious or fugue state upon encountering certain artwork. Infusing giallo ...

Directed by Penelope Spheeris | 95 mins | 1983
After chronicling the LA punk scene in The Decline of Western Civilization, Spheeris delivers the affecting story of desperate teenagers—who adopt the moniker “The Rejected”—who squat in an abandoned house. Their violent struggles to stay one step ah...

Directed by Allan Arkush and Joe Dante | 93 mins | 1979
The moptop Ramones liberate a school from killjoy Principal Togar (Mary Woronov) in this sweetly rambunctious romp starring P.J. Soles (Halloween) as lead rebel of the student body. The innocent music-fueled anarchy (directed by a veteran of...

Leaving March 1

Directed by Lucrecia Martel | 89 mins | 2008
Martel’s haunting study of self-deception follows Veronica, a beloved but remote mother, after her car hits something in the road—or was it a person? As the stylish “Vero” (the late, great Maria Onetto) drifts in a daze among family an...

Directed by Hong Sangsoo | 66 mins | 2021
This devilishly deft portrait of missed and near-missed connections orbits a young man (Shin Seok-ho) adrift, sketching out his romantic and familial relationships in three parts (and a mere 66 minutes). Shooting his own feature for the first time, in bla...

Directed by Éric Rohmer | 103 mins | 1987
Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an i...

Directed by Fruit Chan | 109 mins | 1997
The first independent film released in post-Handover Hong Kong, Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The resul...

Directed by Park Chan Wook | 116 mins | 2002
Fired from his factory job, the deaf, gentle Ryu finds work in the underworld—and begins on a path that will end in an explosion of visceral violence. A brutal, claustrophobic film of escalating desperation, illustrating with grim logic how an ordinary...

Directed by Tsai Ming-liang | 82 mins | 2003
Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. A palace with seemingly mile-wide rows of red velvet seats, the likes of which you’ve seen only in your most nostalgic dr...

Directed by Joanna Hogg | 104 mins | 2013
Two married, childless fifty-something artists (Viv Albertine of the Slits and Liam Gillick) share an austere modernist townhouse and a crushing sense of ennui in Hogg’s third feature, a study in second-nature cohabitation that’s as precise in its rigorou...

Leaving March 1

Directed by Eliza Hittman | 82 mins | 2013
There’s not a single false moment in It Felt Like Love, Never Rarely Sometimes Always director Hittman’s feature debut about a sexually inexperienced south Brooklyn teenager (Gina Piersanti) who’s embarrassed to fess up to everything she...

Directed by Harry Kümel | 87 mins | 1971
Profoundly inspired by the spirit of Belgian Surrealist and Symbolist painting, Kümel’s darkly poetic horror film begins with a young newlywed couple waylaid at a grand hotel en route to England, where they fall under the spell of the elegant Hungarian Cou...

Directed by Éric Rohmer | 106 mins | 1981
The inaugural film of Éric Rohmer’s “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis that finds the director exploring the possibilities of handheld camerawork in following a narrative expression of the opening ...

Directed by Park Chan Wook | 115 mins | 2005
The capper of Park’s “Revenge Trilogy” follows a woman wrongfully imprisoned for kidnapping and killing a six-year-old boy, as she meticulously lays the groundwork for an elaborate plan of retribution, then sets it into merciless motion on her release....

Leaving March 1

Directed by Abel Ferrara | 115 mins | 2019
A warts-and-all semi-self-portrait of an ex-alcoholic artist in exile, Tommaso stars Willem Dafoe in the title role as an American acting coach living in Rome, dividing his time between teaching classes, attending AA meetings, and gettin...