Downtown 81
All Films
•
1h 11m
Directed by Edo Bertoglio | 72 mins | 2000
In 1980, writer and Warhol associate Glenn O’Brien, Swiss photographer Edo Bertoglio, and Jean-Michel Basquiat, a graffiti innovator and noise music artist who’d just begun to exhibit his paintings, hit the streets of lower Manhattan to make a movie about the bombed-out bohemia they lived and breathed. Left unfinished due to assorted legal and financial issues until it was fully assembled for release in 2000, Downtown 81 follows Basquiat, a naturally compelling screen presence, as he tries to hawk a painting (one of the artist’s own first works) while hustling for a place to sleep. So what was meant to be a document of its time instead became a window into a long-lost world of life on the margins and creative ferment—and it feels especially potent today, when NYC had transformed into an artless ghost town, before escalating racial injustices brought people back to the streets. The film features appearances by John Lurie, Fab 5 Freddy, and Debbie Harry; musical performances by DNA, James White and the Blacks, and Kid Creole and the Coconuts; and, most remarkable of all, a portrait of a more innocent Manhattan in all its mangy glory.
A Metrograph Pictures release.
Up Next in All Films
-
DROGA!
Directed by Miko Revereza | 8 mins | 2014
The debut work of Manila-born filmmaker Miko Revereza, whose features "No Data Plan" (2019) and "Nowhere Near" (2023) reflect on his experience as an undocumented resident in the United States, this 8mm short—comprising a repeated shot of a singer and a c... -
Duet for Cannibals
Directed by Susan Sontag | 105 mins | 1969
In the late ’60s, a Swedish studio invited essayist, novelist, critic, cinephile, and all-around intellectual dynamo Susan Sontag to make her directorial debut in Stockholm. The resulting film, revolving around the quadrangular relationship between an ar... -
Ema
Directed by Pablo Larraín | 107 mins | 2019
Unlike some of the Chilean auteur Pablo Larraín’s tortured heroines—namely Jackie Onassis, Princess Diana, and most recently Maria Callas—the fictional Ema, the electric, bleach-blonde dancer at the center of this crackling drama (Mariana Di Girolamo), ...